Tacos and Beer

In the 1980s, CDs became the music industry standard for album releases. Even though CDs were smaller than the vinyl LPs they replaced, they could hold more music. A twelve-inch record can hold 45 minutes (give or take) of music, while a CD can hold more than 70 minutes of music. Some musicians decided that their albums needed to fill up a CD, even if they didn’t have 70 minutes of good music ready, and we got a lot of hour-long albums that would have been a lot better if they’d been edited down to 40 minutes. I’ve been thinking about the overlong albums of the ’80s and ’90s lately because of the overlong movies of the 2020s. I am certainly not the first person to complain that movies are too long these days. Vanity Fair published a piece on the subject last year. The Vanity Fair article mentions that producers and cinema owners and audiences complain about long movies. But those complaints don’t carry as much weight as they used to, and I can think of a couple of reasons for

Apple likes to brag that a lot of their commercials and promotional videos are “shot on iPhone.” But of course Apple can afford some wild accessories for their iPhones, including Panavision lenses! Stu Maschwitz wrote an excellent blog post about how one attaches a pro cinema lens to an iPhone. Blackmagic has created a dual-lens 3D camera for making immersive video for Apple’s Vision Pro VR goggles. I’m not that interested in VR, but I think VR goggles would be fun for watching old 3D horror and sci-fi movies like Creature From the Black Lagoon and It Came From Outer Space . And it might be fun to shoot a movie in the style of those classic 3D movies with this new Blackmagic camera. Ben Pearson wrote a lengthy and revealing article about the modern state of film scores over at Slashfilm . It was revealing to me, at least. Among other things, Pearson tries to figure out why we have fewer memorable musical themes in modern movies. No details yet, but apparently Kino Lorber i